Rapture and Melancholy

“Rapture and Melancholy: The Diaries of Edna St. Vincent Millay, edited by Millay biographer Daniel Mark Epstein, provides an occasion to revisit not just her improbable life but also her sometimes revelatory work. . . . While the diary entries vary widely in interest level, Epstein’s biographical summations are reliably fascinating and informative. . . . Hopefully the release of this complex woman’s diaries will draw readers’ attention to the complexity of her work, which offers much more than figs and ferries.”—Abigail Deutsch, Wall Street Journal

“Seven decades after Millay’s death, Rapture and Melancholy paints a picture of artistic triumph, romantic tumult, and a daily life that descended into addiction.”—Heather Clark, New York Times Book Review

“The Millay who emerges in these entries is not the famed poet, performer, and lover but another Millay, whose inner world helps situate the story of her life anew.”—Apoorva Tadepalli, The Nation

“The poet’s account of her life is raw, intense and rich in detail, supplementing the poems with another kind of first-person voice.”—Lucy McDiarmid, Times Literary Supplement

“A book of surprising revelations and careful silences, these diaries constitute a remarkable portrait not only of a woman, an artist, and a citizen, but of the cultural life of her time.”— David Bergman, author of The Poetry of Disturbance

“An essential work for the study of Millay, Daniel Mark Epstein’s brilliant edition of her diaries takes us with great knowledge and insight behind the scenes of her remarkably poetic, complex life.”—Jonathan Cohen, author of Muna Lee: A Pan-American Life

“Endlessly intriguing and illuminating. The publication of Edna St. Vincent Millay’s diaries is a major literary event, providing astonishing insight into the great poet’s art and life.”—Chloe Honum, author of The Tulip-Flame

“From her ‘tired and crushed and driven’ girlhood through days of gardening in the nude, Millay kept diaries that illuminate a gifted poet’s life and are a pleasure to read. Millay’s prejudices emerge as nakedly as the gardener herself, and the late entries about addiction are devastating. I’m still grateful for this book. It was hard for an ambitious woman to survive her own daring. We need to remember it.”—Lesley Wheeler, author of Poetry’s Possible Worlds