Paula Modersohn-Becker The First Modern Woman Artist Diane Radycki

Format:
Hardback
Publication date:
30 Apr 2013
ISBN:
9780300185300
Imprint:
Yale University Press
Dimensions:
256 pages: 267 x 203mm
Illustrations:
64 color + 80 b-w illus.
Sales territories:
World

Considered one of the most important of the early German modernists, the painter Paula Modersoln-Becker (1876-1907) challenged traditional representations of the female body in art. She was the first modern woman artist to paint herself nude, as well as mothers and children nude. She also created the first self-portrait while pregnant in the history of art. Modersohn-Becker painted the life she was living as a woman and artist and led the way for generations of women artists. Tragically, her life and career were cut short at age thirty-one, following complications from childbirth.
Diane Radycki examines the artist's fascinating biography, including her friendships with poet Rainer Maria Rilke and sculptor Clara Westhoff; her personal anguish, including years in an unconsummated marriage, a disappointing affair, and irresolution about motherhood. Radycki also details the genres of Modersohn-Becker's work: figure (especially nudes), still life, and landscape; and the reception of her work following her death. This new book is an authoritative source on Modersohn-Becker, who Radycki convincingly portrays as the first significant woman artist in the history of modernism.

Diane Radycki is associate professor of art history at Moravian College, Bethlehem, Pennsylvania. She served as editor and translator of The Letters and Journals of Paula Modersohn-Becker.

'Masterful. Diane Radycki provides a persuasive and revelatory argument for the title of her book pronouncing Paula Modersohn-Becker as "The First Modern Woman Artist." There is no book I know of that has as keen a cutting edge into the artist's motivations while at the same time placing her convincingly as an important early 20th-century "modern" woman artist. Her short life and growing posthumous fame are brilliantly juxtaposed'. Alessandra Comini