Facture: Conservation, Science, Art History Volume 4: Series, Multiples, Replicas Daphne S. Barbour, Suzanne Quillen Lomax
- Price: £25.00
- Add to Basket
Share this page:
- Format:
- Paperback
- Publication date:
- 26 Nov 2019
- ISBN:
- 9780300247619
- Imprint:
- National Gallery Washington
- Dimensions:
- 288 pages: 283 x 203mm
- Illustrations:
- 246 color illus.
- Sales territories:
- World
Categories:
A rigorous and wide-ranging investigation of the techniques and reasons behind the artistic practice of replication
Volume 4 of the National Gallery of Art’s biennial conservation research journal Facture examines the complex themes of series, multiples, and replicas. With a broad historical purview that spans from the Renaissance to the 20th century, this publication considers various modes of replication—by the artist’s own hand or workshop, as a posthumous creation, or as a preferred practice—and their motivations. Drawing on new research into materials and techniques, nine essays focus on works in diverse media by artists such as Sandro Botticelli, Auguste Rodin, and Robert Rauschenberg and present intriguing conclusions about the nature of serialization and the relationships among multiple versions of a composition. Filled with spectacularly detailed photographs and fresh discoveries, this volume provides exceptional insight into these extraordinary works of art and offers the possibility of exciting new avenues of inquiry.
Volume 4 of the National Gallery of Art’s biennial conservation research journal Facture examines the complex themes of series, multiples, and replicas. With a broad historical purview that spans from the Renaissance to the 20th century, this publication considers various modes of replication—by the artist’s own hand or workshop, as a posthumous creation, or as a preferred practice—and their motivations. Drawing on new research into materials and techniques, nine essays focus on works in diverse media by artists such as Sandro Botticelli, Auguste Rodin, and Robert Rauschenberg and present intriguing conclusions about the nature of serialization and the relationships among multiple versions of a composition. Filled with spectacularly detailed photographs and fresh discoveries, this volume provides exceptional insight into these extraordinary works of art and offers the possibility of exciting new avenues of inquiry.
Daphne Barbour is senior object conservator and Suzanne Quillen Lomax is senior conservation scientist, both at the National Gallery of Art, Washington.
-
Clyfford Still - The Artists Materials
Susan F. Lake£30.00 -
Purity is a Myth - The Materiality of Concrete Art from Argentina, Brazil, and Uruguay
Zanna Gilbert£60.00 -
The Renaissance Restored
Matthew Hayes£50.00 -
Facture: Conservation, Science, Art History
Daphne S. Barbour£25.00 -
National Gallery Technical Bulletin
Marika Spring£40.00 -
The Arts of Africa
Richard B. Woodward£35.00 -
Mummy Portraits of Roman Egypt - Emerging Research from the APPEAR Project
Marie Svoboda£45.00 -
Sarnath - A Critical History of the Place Where Buddhism Began
Frederick M. Asher£30.00 -
Herculaneum and the House of the Bicentenary - History and Heritage
Sarah Court£25.00 -
On Canvas - Preserving the Structure of Paintings
Stephen Hackney£40.00 -
Values in Heritage Management - Emerging Approaches and Research
Erica Avrami£40.00 -
Sidney Nolan - The Artist's Materials
Paula Dredge£30.00 -
National Gallery Technical Bulletin
Marika Spring£40.00 -
Modern Metals in Cultural Heritage - Understanding and Characterization
Virginia Costa£45.00 -
Buried by Vesuvius - The Villa dei Papiri at Herculaneum
Kenneth Lapatin£50.00 -
Antiquities in Motion - From Excavation Sites to Renaissance Collections
Barbara Furlotti£60.00 -
Frame Work
Alison Wright£55.00 -
Sam Francis - The Artist's Materials
Debra Burchett-lere£30.00 -
Renaissance Splendor
Elizabeth Cleland£30.00