Nocturne Night in American Art, 1890–1917 Hélène Valance, Jane Marie Todd
- Price: £35.00
- Add to Basket
Share this page:
- Format:
- Hardback
- Publication date:
- 12 Jun 2018
- ISBN:
- 9780300223996
- Imprint:
- Yale University Press
- Dimensions:
- 256 pages: 279 x 216mm
- Illustrations:
- 116 color + 35 b-w illus.
Categories:
A beautifully illustrated look at the vogue for night landscapes amid the social, political, and technological changes of modern America
The turn of the 20th century witnessed a surge in the creation and popularity of nocturnes and night landscapes in American art. In this original and thought-provoking book, Hélène Valance investigates why artists and viewers of the era were so captivated by the night. Nocturne examines works by artists such as James McNeill Whistler, Childe Hassam, Winslow Homer, Frederic Remington, Edward Steichen, and Henry Ossawa Tanner through the lens of the scientific developments and social issues that dominated the period. Valance argues that the success of the genre is connected to the resonance between the night and the many forces that affected the era, including technological advances that expanded the realm of the visible, such as electric lighting and photography; Jim Crow–era race relations; America’s closing frontier and imperialism abroad; and growing anxiety about identity and social values amid rapid urbanization. This absorbing study features 150 illustrations encompassing paintings, photographs, prints, scientific illustration, advertising, and popular media to explore the predilection for night imagery as a sign of the times.
The turn of the 20th century witnessed a surge in the creation and popularity of nocturnes and night landscapes in American art. In this original and thought-provoking book, Hélène Valance investigates why artists and viewers of the era were so captivated by the night. Nocturne examines works by artists such as James McNeill Whistler, Childe Hassam, Winslow Homer, Frederic Remington, Edward Steichen, and Henry Ossawa Tanner through the lens of the scientific developments and social issues that dominated the period. Valance argues that the success of the genre is connected to the resonance between the night and the many forces that affected the era, including technological advances that expanded the realm of the visible, such as electric lighting and photography; Jim Crow–era race relations; America’s closing frontier and imperialism abroad; and growing anxiety about identity and social values amid rapid urbanization. This absorbing study features 150 illustrations encompassing paintings, photographs, prints, scientific illustration, advertising, and popular media to explore the predilection for night imagery as a sign of the times.
Hélène Valance is assistant professor at the Université de Franche-Comté.
-
Book of Beasts - The Bestiary in the Medieval World
Elizabeth Morrison£45.00 -
Eileen Hogan
Elisabeth R. Fairman£50.00 -
Monet and Architecture
Richard Thomson£30.00 -
Picturesque and Sublime
Tim Barringer£20.00 -
Diamond Mountains
Soyoung Lee£35.00 -
A Closer Look: Landscape
Erika Langmuir£9.99 -
Thomas Cole's Journey
Elizabeth Mankin Kornhauser£50.00 -
Frederic Church
Kenneth John Myers£35.00 -
Lake Keitele
Anne Robbins£14.95 -
Visual Voyages
Daniela Bleichmar£40.00 -
The Horse in Ancient Greek Art
Nicole Stribling£35.00 -
Giovanni Bellini - Landscapes of Faith in Renaissance Venice
Davide Gasparotto£30.00 -
Sacred Landscapes - Nature in Renaissance Manuscripts
Bryan C. Keene£19.99 -
Marsden Hartley's Maine
Randall R. Griffey£40.00 -
Turner’s Modern and Ancient Ports
Susan Grace Galassi£30.00 -
John Singer Sargent
Richard Ormond£60.00 -
Julian Onderdonk
Emily Ballew Neff£80.00 -
Spreading Canvas
Eleanor Hughes£45.00 -
Unruly Nature - The Landscapes of Theofire Rousseau
Scott Allan£40.00