Culture in Nazi Germany Michael H. Kater

Format:
Hardback
Publication date:
09 Apr 2019
ISBN:
9780300211412
Imprint:
Yale University Press
Dimensions:
472 pages: 235 x 156mm
Illustrations:
30 color illus.

A fresh and insightful history of how the German arts-and-letters scene was transformed under the Nazis

Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns.
 
Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule.

Michael H. Kater is Distinguished Research Professor Emeritus of History at York University, Toronto, and a fellow of the Royal Society of Canada. His previous publications include Weimar: From Enlightenment to the Present and Hitler Youth.

“Absorbing, chilling study of German artistic life under Hitler” —Max Hastings, The Sunday Times


"There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions."—Alex Ross, music critic at The New Yorker and author of The Rest is Noise



"There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions."—Alex Ross, music critic at The New Yorker and author of The Rest is Noise