The Arts of China, 1600-1900 William Watson, Chumei Ho

Format:
Hardback
Publication date:
30 Mar 2007
ISBN:
9780300107357
Imprint:
Yale University Press
Dimensions:
320 pages: 5461 x 7112mm
Illustrations:
200 b-w + 301 color illus.

Categories:

In this volume, William Watson and Chuimei Ho begin with discussions of “fine” art and painting and progress to an analysis of carving and sculpture, ceramics, glassware, and textiles. The authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the “decorative” arts rose to prominence in a way quite unlike the western experience. Avoiding misrepresentative categorization, they single out period styles, identify repeated phases of archaism and Buddhist art, and discuss characteristic groups of jade, ivory, ceramics, glassware, and textiles.  They consider the importance of the imperial workshops and their role in developing craftsmen’s skills and encouraging the cross-over of techniques from different disciplines, and they direct attention to the compelling influence of Emperor Qianlong’s aesthetic innovations.
In architecture, the vast plan and overwhelming authority of the imperial buildings is discussed in contrast with the restrained subtlety of domestic architecture and garden design, where magnificent rocks were the principal feature just as in landscape painting. The survey concludes by examining the development of East/West trade and the effects of commercialization on Chinese arts and crafts. This is a handsome, well-illustrated book that will be a valuable and illuminating resource for all who are interested in the arts of China.

William Watson is emeritus professor of Chinese art and archaeology at the University of London. Chuimei Ho is adjunct curator of  East and Southeast Asian art and archaeology at the Field Museum in Chicago.

"This book is more than a routine survey: at once specific and detailed, comprehensive and encyclopedic, it investigates objects and groups within distinct social, economic, and historical contexts and draws out broad, informative relationships between manufacture, marketing, and use of artifacts and such factors as systematic government support, international trade, mutual East/West curiosity, and the personal character of three extraordinary Imperial rulers. Clear, incisive, and elegant writing focuses interest on objects and ideas presented, as do nearly 300 fine photographs. Highly recommended."?Choice